{"id":5867,"date":"2023-10-26T00:01:00","date_gmt":"2023-10-25T22:01:00","guid":{"rendered":"https:\/\/cinemahouse.cz\/?p=5867"},"modified":"2023-10-23T16:37:03","modified_gmt":"2023-10-23T14:37:03","slug":"fichtelberg-dobrodruzny-historicky-rodinny-trikovy-film","status":"publish","type":"post","link":"https:\/\/cinemahouse.cz\/index.php\/2023\/10\/26\/fichtelberg-dobrodruzny-historicky-rodinny-trikovy-film\/","title":{"rendered":"Fichtelberg – Dobrodru\u017en\u00fd historick\u00fd rodinn\u00fd trikov\u00fd film"},"content":{"rendered":"\n
<\/div>\n\n\n\n

Do konce \u0159\u00edjna nat\u00e1\u010d\u00ed re\u017eis\u00e9r \u0160imon Koudela podle vlastn\u00edho n\u00e1m\u011btu a sc\u00e9n\u00e1\u0159e film Fichtelberg.<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n
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\"Fichtelberg<\/figure><\/div>\n\n\n
<\/div>\n\n\n\n

Vypr\u00e1v\u00ed p\u0159\u00edb\u011bh mlad\u00e9ho ryt\u00ed\u0159e \u2013 sirotka, kter\u00fd se hn\u00e1n touhou po l\u00e1sce a uzn\u00e1n\u00ed vyd\u00e1v\u00e1 na cestu, odkryje krimin\u00e1ln\u00ed komplot a dojde a\u017e za hranu \u017eivota, aby pochopil, \u017ee celou dobu podl\u00e9hal iluzi a\u00a0sebeklamu a vr\u00e1t\u00ed se jako dosp\u011bl\u00fd sebev\u011bdom\u00fd \u010dlov\u011bk.<\/p>\n\n\n\n

<\/div>\n\n\n\n

O filmu<\/h2>\n\n\n\n

Star\u00fd \u010desk\u00fd \u0161lechtic usedl\u00fd v Janov\u011b vypr\u00e1v\u00ed p\u0159\u00edb\u011bh sv\u00e9ho ml\u00e1d\u00ed. Je rok 1547, Jizersk\u00e9 hory. Jako mlad\u00edk ztratil Petr P\u011btipesk\u00fd z Ch\u00fd\u0161 a Ekenbergu otce i majetek. Proto pracuje jako spr\u00e1vce na stavb\u011b mostu v Urbachu, mostu, kter\u00fd buduje vladyka Smi\u0159ick\u00fd jako br\u00e1nu k pravd\u011bpodobn\u00e9mu nerostn\u00e9mu bohatstv\u00ed ukryt\u00e9mu v hor\u00e1ch. Urbach je temn\u00e9 a nep\u0159\u00e1telsk\u00e9 m\u00edsto, kde nesn\u00e1\u0161ej\u00ed ciz\u00e1ky. V mlze nad n\u00edm se ztr\u00e1c\u00ed hora Fichtelberg. D\u011bj\u00ed se tu divn\u00e9 v\u011bci\u2026: z nebe pad\u00e1 \u010dern\u00fd popel a miz\u00ed odsud lid\u00e9. A \u017eije tu i Alma, divok\u00e1 dcera m\u00edstn\u00edho kupce, do kter\u00e9 je Petr zamilov\u00e1n\u2026.<\/p>\n\n\n\n

O nat\u00e1\u010den\u00ed<\/h2>\n\n\n\n

Lokace na\u0161li filma\u0159i na r\u016fzn\u00fdch m\u00edstech \u010cesk\u00e9 republiky. To\u010dilo se v Praze (nap\u0159\u00edklad v Divok\u00e9 \u0160\u00e1rce, \u010e\u00e1blick\u00e9m h\u00e1ji, v \u0158eporyj\u00edch v lomu Po\u017e\u00e1ry, na Koko\u0159\u00ednsku, v \u010ceskosask\u00e9m \u0160v\u00fdcarsku \u010di v kl\u00e1\u0161te\u0159e Doksany.<\/p>\n\n\n\n

Anima\u010dn\u011b – trikov\u00e1 koncepce obrazu<\/h2>\n\n\n\n

Z\u00e1sadn\u00edm origin\u00e1ln\u00edm rozm\u011brem filmu je netradi\u010dn\u00ed obrazov\u00e1 forma \u2013 v\u00edcevrstv\u00e1 animovan\u00e1 kompozice kombinovan\u00e1 s \u017eivou hereckou akc\u00ed. Smyslem t\u00e9to podoby je o\u017eivit d\u00e1vn\u00fd historick\u00fd sv\u011bt a sou\u010dasn\u011b stimulovat div\u00e1kovu imaginaci podobn\u011b, jako si \u010dten\u00e1\u0159 rom\u00e1nu vytv\u00e1\u0159\u00ed ve sv\u00e9 p\u0159edstav\u011b vlastn\u00ed fantaskn\u00ed skute\u010dnost. V\u00fdtvarn\u00e1 stylizace filmu je tedy d\u011bjotvorn\u00e1, aktivn\u011b pracuje s fantazi\u00ed a t\u00edm zesiluje percepci p\u0159\u00edb\u011bhu. Anima\u010dn\u00ed v\u00fdtvarn\u00e9 ztv\u00e1rn\u011bn\u00ed m\u00e1 navodit atmosf\u00e9ru st\u0159edov\u011bk\u00fdch vypr\u00e1v\u011bn\u00ed, dobov\u00fdch ilustrac\u00ed a obraz\u016f, zav\u00e9st d\u011bj do tajupln\u00e9ho sv\u011bta mlhav\u00fdch hor protkan\u00fdm skryt\u00fdm tajn\u00fdm podzem\u00edm i do z\u00e1kout\u00ed lidsk\u00fdch emoc\u00ed. I kdy\u017e jde o digit\u00e1ln\u00ed obrazovou postproduk\u010dn\u00ed technologii, takov\u00fd princip pr\u00e1ce s obrazem m\u00e1 v historii \u010desk\u00e9ho animovan\u00e9ho filmu velkou tradici (sn\u00edmky Karla Zemana).<\/p>\n\n\n\n

<\/div>\n\n\n
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\"Fichtelberg<\/figure><\/div>\n\n\n
<\/div>\n\n\n\n

\u0160imon Koudela: Pozn\u00e1mky re\u017eis\u00e9ra<\/h2>\n\n\n\n

Inicia\u010dn\u00ed dobrodru\u017en\u00e1 cesta mlad\u00e9ho ryt\u00ed\u0159e Petra P\u011btipesk\u00e9ho z 16. stolet\u00ed je vypr\u00e1v\u011bna na p\u016fdorysu modern\u00edho p\u0159\u00edb\u011bhu sou\u010dasnou filmovou \u0159e\u010d\u00ed. Mlad\u00fd \u010dlov\u011bk, hn\u00e1n touhou po l\u00e1sce a uzn\u00e1n\u00ed, doch\u00e1z\u00ed a\u017e na samou hranu \u017eivota, aby pochopil, \u017ee celou dobu podl\u00e9hal iluzi a sebeklamu. Jeho pozn\u00e1n\u00ed je je\u0161t\u011b hlub\u0161\u00ed, nal\u00e9z\u00e1 toti\u017e prav\u00fd d\u016fvod sv\u00e9 vnit\u0159n\u00ed bolesti – otcovskou k\u0159ivdu. Petr tak nach\u00e1z\u00ed cestu zp\u011bt do \u017eivota, osvobozuje se, st\u00e1v\u00e1 se dosp\u011bl\u00fdm.<\/p>\n\n\n\n

Pozad\u00edm vypr\u00e1v\u011bn\u00ed je velk\u00e1 historicko-kulturn\u00ed prom\u011bna Evropy 16. stolet\u00ed. Lidsk\u00fd osud, ohro\u017eovan\u00fd nadp\u0159irozen\u00fdm zlem a p\u0159edur\u010den\u00fd bezv\u00fdhradnou bo\u017e\u00ed v\u016fl\u00ed, se transformuje v \u017eivot racion\u00e1ln\u011b uva\u017euj\u00edc\u00edho \u010dlov\u011bka, kter\u00fd z\u00edsk\u00e1v\u00e1 smysl sv\u00e9 existence do sv\u00fdch rukou. St\u0159edov\u011bk v \u010cech\u00e1ch kon\u010d\u00ed, od jihoz\u00e1padu sv\u00edt\u00e1 novov\u011bk\u00e1 renesance.<\/p>\n\n\n\n

Podstatn\u00fdm t\u00e9matem filmu je – dosp\u00edv\u00e1n\u00ed. Aby se postavy staly dosp\u011bl\u00fdmi, mus\u00ed dos\u00e1hnout (po vzoru st\u0159edov\u011bk\u00fdch rom\u00e1n\u016f) zasv\u011bcen\u00ed t\u00edm, \u017ee se \u201codst\u0159ihnou\u201d od dosavadn\u00edch struktur sv\u00e9 (vnit\u0159n\u00ed) existence, sv\u00fdch p\u0159edstav o sob\u011b, o okoln\u00edm sv\u011bt\u011b. Musej\u00ed zatratit vzorce, kter\u00e9 je svazovaly s chr\u00e1n\u011bn\u00fdm v\u011bkem d\u011btstv\u00ed, zavrhnout rodi\u010de. Mlad\u00ed hrdinov\u00e9 nav\u00edc pro\u017eij\u00ed bolestiv\u00e9 zji\u0161t\u011bn\u00ed, \u017ee cht\u011bj\u00ed-li dos\u00e1hnout c\u00edle, mus\u00ed ob\u011btovat n\u011bco bytostn\u00e9ho\u2026 Petr tou\u017e\u00ed po sou\u017eit\u00ed s mrtv\u00fdm otcem. Kdy\u017e se mu po peripeti\u00edch ta p\u0159\u00edle\u017eitost naskytne, nechce u\u017e s otcem z\u016fstat. Mus\u00ed ho v tu chv\u00edli odvrhnout, aby se osvobodil z jeho vlivu, aby byl kone\u010dn\u011b nez\u00e1visl\u00fd<\/p>\n\n\n\n

Fichtelberg je p\u0159\u00edb\u011bh o vztahu, tenzi a spolupr\u00e1ci mezi t\u0159emi n\u00e1rodn\u00edmi elementy – \u010desk\u00fdm, n\u011bmeck\u00fdm a italsk\u00fdm obyvatelstvem v sudetsk\u00e9 oblasti \u010desk\u00fdch hrani\u010dn\u00edch hor. Po stalet\u00ed se zde vytv\u00e1\u0159ela v celoevropsk\u00e9m m\u011b\u0159\u00edtku unik\u00e1tn\u00ed dimenze spolu\u017eit\u00ed, asimilace i zp\u011btn\u00e9ho sebeur\u010dov\u00e1n\u00ed t\u011bchto t\u0159\u00ed n\u00e1rodn\u00edch a kulturn\u011b-historick\u00fdch element\u016f, i k\u0159es\u0165ansk\u00fdch konfes\u00ed (utrakvismu – luterstv\u00ed – katolicismu), z nich\u017e v\u017edy vznikaly unik\u00e1tn\u00ed hodnoty.<\/p>\n\n\n\n

Z dramaturgick\u00e9 explikace – Tereza Brde\u010dkov\u00e1<\/h2>\n\n\n\n

Je to cenn\u00fd projekt, podklad pro rodinn\u00fd dobrodru\u017en\u00fd film s filozofick\u00fdm p\u0159esahem. Z\u00e1rove\u0148 je to p\u0159ipom\u00ednka fantastick\u00e9, a p\u0159itom pravdiv\u00e9 historie zapomenut\u00fdch dol\u016f a skl\u00e1ren v \u010desk\u00e9m pohrani\u010d\u00ed. A hlavn\u011b jde o film mimo\u0159\u00e1dn\u011b schopn\u00e9ho a nadan\u00e9ho anim\u00e1tora \u0160imona Koudely, pro kter\u00e9ho m\u00e1 b\u00fdt Fichtelberg prvn\u00ed velkou zku\u0161enost\u00ed.<\/p>\n\n\n\n

O re\u017eis\u00e9rovi<\/h2>\n\n\n\n

MgA. \u0160imon Koudela<\/strong> (nar. 1974 v Praze)<\/p>\n\n\n\n

Re\u017eis\u00e9r, scen\u00e1rista, anim\u00e1tor a v\u00fdtvarn\u00edk. Vystudoval FAMU (animaci a re\u017eii multimedi\u00e1ln\u00ed tvorby). U\u017e od studia se jeho filmy pravideln\u011b prezentuj\u00ed v sout\u011b\u017en\u00edch sekc\u00edch na festivalech po cel\u00e9m sv\u011bt\u011b a z\u00edsk\u00e1vaj\u00ed ocen\u011bn\u00ed. Nap\u0159\u00edklad jeho posledn\u00ed p\u016flhodinov\u00fd sn\u00edmek Trose\u010dn\u00edk <\/em>byl ve sv\u011btov\u00e9 premi\u00e9\u0159e uveden v \u201coscarov\u00e9\u201d sout\u011b\u017ei na mezin\u00e1rodn\u00edm festivalu v K\u00e1hi\u0159e a mimo jin\u00e9 z\u00edskal ceny na festivalu v Houstonu a v Dill\u00ed. P\u0159edch\u00e1zej\u00edc\u00ed Robinson<\/em> reprezentoval v hlavn\u00edch sout\u011b\u017e\u00edch na festivalech ZINEBI v  Bilbau, New York City Independent film festivalu, GrandOff festivalu ve Var\u0161av\u011b, Tlanchana film festivalu v Mexiku a dal\u0161\u00edch. Jeho animovan\u00fd sn\u00edmek T\u00e9to noci procitnu<\/em> byl uveden nap\u0159. v japonsk\u00e9 Hiro\u0161im\u011b, brazilsk\u00e9m Rio de Janeiru a Sao Paulu, \u010di kolumbijsk\u00e9m Pastu. Dlouhodob\u011b spolupracuje s pra\u017esk\u00fdm N\u00e1rodn\u00edm divadlem. Pro sv\u011btov\u011b proslulou Novou sc\u00e9nu (Laternu magiku) nato\u010dil trikov\u00e9 polyekranov\u00e9 projekce k p\u0159edstaven\u00ed Podivuhodn\u00e1 dobrodru\u017estv\u00ed Julese Verna<\/em>, a Mal\u00fd princ<\/em>. Vytvo\u0159il animovan\u00e9 sn\u00edmky pro baletn\u00ed inscenaci Lousk\u00e1\u010dek<\/em>. \u00dazce spolupracuje s \u010ceskou televiz\u00ed. Nato\u010dil pro ni celou \u0159adu dokument\u00e1rn\u00edch sn\u00edmk\u016f a re\u017e\u00edruje r\u016fzn\u00e9 po\u0159ady a p\u0159enosy, zejm\u00e9na s hudebn\u00ed t\u00e9matikou. Jako autor animac\u00ed a trikov\u00fdch z\u00e1b\u011br\u016f kooperoval na r\u016fzn\u00fdch \u010desk\u00fdch cen\u011bn\u00fdch filmech.<\/p>\n\n\n\n

Filmografie<\/strong> (v\u00fdb\u011br): Ze \u017eivota hmyzu<\/em> (kr\u00e1tk\u00fd film) 1995, \u201eV\u201c <\/em>(kr\u00e1tk\u00fd film) 1996, Chodec <\/em>(kr\u00e1tk\u00fd film) 1997, T\u0159i variace na picassovsk\u00e9 t\u00e9ma <\/em>(kr\u00e1tk\u00fd film) 1998, Ostrov <\/em>(kr\u00e1tk\u00fd film) 1999, K mo\u0159i <\/em>(kr\u00e1tk\u00fd film) 2000, Vega \u2013 an american dream<\/em> (dokument\u00e1rn\u00ed) 2003, Poprask <\/em>(TV s\u00e9rie) 2004, Pandurango<\/em> (TV s\u00e9rie) 2005, Musikblok<\/em> (TV s\u00e9rie) 2006, 2007, \u010cesk\u00e9 milov\u00e1n\u00ed – FEBIO<\/em> (TV s\u00e9rie) 2008, 2009, Stalking <\/em>(dokument\u00e1rn\u00ed) 2010, TV Bonsaj<\/em> (TV s\u00e9rie ) 2010, T\u00e9to noci procitnu <\/em>(kr\u00e1tk\u00fd film) 2014, Robinson<\/em> (kr\u00e1tk\u00fd film) 2015, Podivuhodn\u00e9 cesty Julese Verna<\/em> (projekce k p\u0159edstaven\u00ed Laterny magiky) 2015, S\u00e1ga rodu Stretti <\/em>(dokument\u00e1rn\u00ed) 2015, Lousk\u00e1\u010dek <\/em>(projekce k p\u0159edstaven\u00ed baletu N\u00e1rodn\u00edho Divadla) 2015, Mal\u00fd princ<\/em> (projekce k p\u0159edstaven\u00ed Laterny magiky) 2016, Trose\u010dn\u00edk <\/em>2020, v\u00edce na: https:\/\/simonkoudela.com\/<\/a> .<\/p>\n\n\n\n

<\/div>\n\n\n
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\"Fichtelberg<\/figure><\/div>\n\n\n
<\/div>\n\n\n\n

O herc\u00edch<\/h2>\n\n\n\n

<\/a> Jan Dlouh\u00fd<\/strong> (Petr), Ond\u0159ej Stupka<\/strong> (Gianni), Ivan Fran\u011bk<\/strong> (Moro), Viktoria Juri\u0161tov\u00e1<\/strong> (Alma), Petr Klime\u0161<\/strong> (Lebkoun), Karel Sch\u016ft<\/strong> (Ochr\u00e1nce), Karel Dobr\u00fd<\/strong> (Smi\u0159ick\u00fd), Jakub Kali\u00e1n<\/strong> (Balzer), Jitka Je\u017ekov\u00e1<\/strong> (Johanna), Miroslav Proch\u00e1zka<\/strong> (Jobst), Ji\u0159\u00ed \u0160t\u011bpni\u010dka<\/strong> (Kaspar), Zuzana Cig\u00e1nov\u00e1<\/strong> (Sta\u0159ena), Jakub \u017d\u00e1\u010dek<\/strong> (Berwaldt), Am\u00e1ta Sk\u00e1lov\u00e1<\/strong> (Slu\u017eka), Jaroslav Plesl<\/strong> (V\u00e1clav P\u011btipesk\u00fd)<\/p>\n\n\n\n

O tv\u016frc\u00edch<\/h2>\n\n\n\n

Line producer:<\/strong> Mikul\u00e1\u0161 Adam<\/p>\n\n\n\n

Vedouc\u00ed nat\u00e1\u010den\u00ed:<\/strong> Nela Dost\u00e1lkov\u00e1<\/p>\n\n\n\n

Kamera:<\/strong> Jan Baset St\u0159\u00edte\u017esk\u00fd<\/p>\n\n\n\n

Architekt:<\/strong> Ji\u0159\u00ed Sternwald<\/p>\n\n\n\n

St\u0159ih:<\/strong> Jan Da\u0148hel<\/p>\n\n\n\n

Um\u011bleck\u00fd mask\u00e9r:<\/strong> Miroslava Krepsov\u00e1<\/p>\n\n\n\n

Kost\u00fdmn\u00ed v\u00fdtvarnice:<\/strong> Sylva Zimula Han\u00e1kov\u00e1<\/p>\n\n\n\n

Zvukov\u00fd mistr:<\/strong> Richard M\u00fcller<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"Fichtelberg<\/figure>\n\n\n\n
\"Fichtelberg<\/figure>\n\n\n\n
\"Fichtelberg<\/figure>\n\n\n\n
\"Fichtelberg<\/figure>\n<\/figure>\n\n\n\n

Zdroj foto:<\/strong> CinemArt<\/p>\n\n\n\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Do konce \u0159\u00edjna nat\u00e1\u010d\u00ed re\u017eis\u00e9r \u0160imon Koudela podle vlastn\u00edho n\u00e1m\u011btu a sc\u00e9n\u00e1\u0159e film Fichtelberg. Vypr\u00e1v\u00ed p\u0159\u00edb\u011bh mlad\u00e9ho ryt\u00ed\u0159e \u2013 sirotka, kter\u00fd se hn\u00e1n touhou po l\u00e1sce a uzn\u00e1n\u00ed vyd\u00e1v\u00e1 na cestu, odkryje krimin\u00e1ln\u00ed komplot...<\/p>\n","protected":false},"author":6,"featured_media":5872,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[3,2],"tags":[],"yoast_head":"\nFichtelberg - Dobrodru\u017en\u00fd historick\u00fd rodinn\u00fd trikov\u00fd film - CINEMAHOUSE.cz<\/title>\n<meta name=\"description\" content=\"Fichtelberg - Dobrodru\u017en\u00fd historick\u00fd rodinn\u00fd trikov\u00fd film. 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